We have a Tudor England themed giveaway this month including a Bristol House gift bag, a bar of lavender soap, English candy and a copy of Bristol House by Beverly Swerling to giveaway. To win, just sign up for our Free Newsletter.
The winners will be drawn on the first of June 2013 from subscribers who enter via the newsletter. Good luck!
A semi-finalist in the 2009 Amazon Breakthrough Novel Award content, Take the Monkeys and Run obviously pleased a few readers. While this is no literary masterpiece, it is essentially well-written with engaging, often larger that life characters, and most importantly is laugh out loud funny.
Elemental is an exquisite novel. Every word of it is tightly crafted and pregnant with possibility. It is self-referential and post-modern in the way it undermines time, creating a genetic and emotional link between characters in multiple times and places.
An unreliable first person narrator allows for the same pleasures of deduction that one would find in a who-done-it. In Flora, readers must be like young Helen, sorting out the contents of a drawer, deciding what’s important enough to retain, and what to let go.
The author of The Book talks about her latest novel and its inspiration, her protagonist Bonnie, the other characters, the video she’s created to support the book, the song behind the book, and more.
This is not the type of novel you can expect to race through or finish in a weekend. Ausubel’s lyrical, beautiful language and disturbingly compelling imagery seize the reader almost immediately. Even if the reader wants to turn away at some of the more graphic scenes, they don’t turn away for long, as Ausubel manages to capture the best parts of the human spirit while not shying away from describing the atrocities of war.
Importantly, the food is delicious on its own without labeling it as diet food of any kind. A few weeks of eating this way, and one will start craving these amazing recipes. She promises that carrot fries “will change your life”, and she should not be doubted.
Bluff was born from Skomal’s own experience sitting at her gravely ill mother’s bedside, and the frustration, fear and hope all come through in her writing. To her credit, she hasn’t only drawn on this experience in writing Bluff, but has enlisted the advice of health, religious and legal professionals, all of whom are acknowledged.
The author of The house on Hope Street talks about her new novel, why her characters were allotted ninety-nine days to heal, about her characters, about magical realism and why she’s drawn to it, her setting, on “translating” the novel from English to American, her favourite writing quotes, and lots more.
If you’re like me, you’ll want to read everything that Hammett has written, but be warned that this is not literature, simply because language doesn’t set out to do everything. Then again, screen stories like these (and The Third Man by Graham Greene is another example) are an interesting genre, primarily for what they might reveal about the writer.
It is in this setting that the dual tragedies unfold as each character faces the practical, ethical and moral dilemmas they have inherited from the past. She builds up tension by releasing the story in carefully crafted chapters told from two different perspectives of the events which happen in the two different periods of time.